Mark Thomas Gibson
Overture
Overture showcases new works by Philadelphia-based artist Mark Thomas Gibson. Running from January 23 through April 6, 2025, Overture offers a powerful invitation to reflect on current events and reimagine how we can collectively drive systemic change in pursuit of the common good.
The exhibition opens with a selection from Gibson’s Town Crier series, an archive of collages that feature a fictional character who recounts current events happening on the national and global political stage. Inside the Berman’s main gallery, visitors will encounter an immersive, multi-sensory experience featuring five large-scale paintings and Gibson’s first hand-drawn animated film, accompanied by an original score composed and performed by Emily Wells. These new works capture the unsettling urgency of a shifting political landscape, evoking emotions and responsibilities both individual and civic.
Gibson’s work examines complex narratives surrounding race, identity, power, and cultural representation through a distinctive visual language that challenges traditional perspectives on U.S. history and current events. A self-described American history painter, Gibson draws from a dynamic blend of influences—from the storytelling of Kerry James Marshall and the subversion of Philip Guston to the satirical edge of pioneering political cartoonists Thomas Nast and John Singleton Copley—fusing elements of graphic novel illustration, Surrealism, and Symbolism. The result is a visually striking body of work that challenges viewers to probe beyond the surface to grapple with the layered complexities of power, identity, and protest in the United States.
Overture not only showcases Gibson’s striking aesthetic and technical skill across mediums, but also highlights his commitment to amplifying discussions on historical memory, collective trauma, and the ongoing pursuit of justice and equality. The exhibition’s visual, sonic, and kinetic choreography serves as a provocation to look, feel, think, and act, inspiring us to consider our role in shaping a better, fairer, more inclusive society.
“This exhibition is especially relevant as we enter 2025, offering a profound lens through which to examine the complexities and challenges facing our nation and the world,” says Berman Executive Director Lauren McCardel. “Gibson’s bold visual narratives challenge us to confront the enduring legacies of systemic inequity and the collective anxieties of our time, sparking critical dialogue and personal reflection that are essential for meaningful progress. His ability to weave thought-provoking storytelling into visually compelling compositions opens new perspectives on narratives of both American art and U.S. history, encouraging viewers to reflect on their own responsibility as citizens in a democracy’s unfinished work of fulfilling its founding ideals for all.”
A supporting publication will accompany the exhibition, examining the critical themes in Gibson’s work, including his interest in caricature and cartoon, his influences, and the Town Crier series.
The exhibition will be on view through April 6, 2025. Admission is free.
About the artist
Gibson (b. 1980, Miami, FL) received his BFA from The Cooper Union in 2002 and his MFA from Yale School of Art in 2013. He is represented by M+B in Los Angeles and Loyal in Stockholm. In 2016, he co-curated the traveling exhibition Black Pulp! with William Villalongo. Gibson has released two artist books, Some Monsters Loom Large (2016) and Early Retirement (2017).
In 2021, Gibson was awarded residencies at Yaddo and the Elizabeth Murray Artist Residency. He was awarded a Pew Fellowship from the Pew Center for Arts and Heritage, Philadelphia, PA and a Hodder Fellowship from Lewis Center for the Arts, Princeton University, Princeton, NJ. Gibson was awarded a 2022 Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation, and a Louis Comfort Tiffany Biennial Grant from the Louis Comfort Tiffany Foundation. In 2024 he was a MacDowell Fellow.
His most recent solo exhibitions have been Lineage (The Library Company of Philadelphia, 2024), Whirligig! (Sikkema Jenkins & Co., 2023), and A Retelling (MOCAD, 2023).
About the composer
The score for Overture was written and performed by Emily Wells, a polymathic composer, producer, and video artist. Wells has toured extensively throughout the world, including headlining performances at the Guggenheim Museum, the Lincoln Center, the National History Museum of Los Angeles, Sundance Film Festival, and the National Gallery of Art. She has released six critically acclaimed albums including 2017’s “visionary” (NPR) This World Is Too For You, and 2022’s “complex, vibrant, and dynamic” (Pitchfork) Regards to the End. She appeard on The Tonight Show with Jimmy Fallon in 2016 to promote her album Promise, called “dramatic, meticulous, and gothic” by The New York Times. Wells is a 2022 NYU Center for Ballet and the Arts & National Sawdust Toulmin Fellow and a 2020 New York Foundation for the Arts grant recipient.
Major support for this exhibition has been provided by the Terra Foundation for American Art. The Terra Foundation, established in 1978 and having offices in Chicago and Paris, supports organizations and individuals locally and globally with the aim of fostering intercultural dialogues and encouraging transformative practices that expand narratives of American art, through the foundation’s grant program, collection, and initiatives.